News and Updates
GARY FEATURED ON DRUMMER NATION
Gary Hobbs is a native of the Pacific Northwest and lives in Vancouver, WA. He has played professionally for over 4 decades and appears on over 60 recordings. Gary played with The Stan Kenton Orchestra from 75 through 77. Gary has performed with Randy Brecker, Bud Shank, Anita O'Day, Terry Gibbs, The New York Voices, The Woody Herman Orchestra and many others. He's played Carnegie Hall, Royal Festival Hall, Wolf Trap and the Kennedy Center, as well as festivals and clubs all over the world. Gary is very active in Jazz Education, teaching at The University Of Oregon and doing clinics, concerts and jazz camps.
GARY FEATURED ON "THE WORKING DRUMMER" PODCAST
Gary Hobbs: Touring with Stan Kenton, Applying Jazz Training to All Music, Breaking Jazz Out of Its Own Box
Gary Hobbs resides just outside Portland, OR, literally steps from the house he grew up in. His father and grandfather were both semi-pro drummers, but the drum bug didn't bite Gary until his senior year in high school. He attended a Stan Kenton Jazz Camp where he studied with legendary jazz drummer and educator John Von Ohlen, who convinced him to pursue drumming professionally. After a stint in the army, Gary was invited to join the Kenton Band and toured with them almost non-stop for two and a half years. Since then, his hometown has been his home base from which he has commanded a successful career as a drummer and educator. In addition to playing all over the Pacific Northwest, Gary teaches at The University of Oregon. He has traveled the world as a sideman with jazz greats such as Randy Brecker, Anita O'Day, and Eddie Harris, and in his own right as an educator and clinician.
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THE COLUMBIAN: Vancouver drummer finds jazz, musical freedom on rise in China
Things ain't what they used to be in East Asia, and especially in urban centers such as Beijing and Hong Kong, according to jazz drummer Gary Hobbs.
You might actually hear that sly Duke Ellington standard pouring from the doorway of a nightclub or conservatory these days -- in a civilization that used to consider jazz music subversive, even pornographic, and definitely anti-communist.
That big red chill is thawing fast, according to Vancouver native Hobbs, 67, who went on his fourth teaching-and-performing junket to China, Taiwan and Hong Kong in late October. The centerpiece of the trip was the third annual China Drum Summit, hosted by the Beijing Contemporary Music Academy.
Hobbs was away for 10 days and was "totally shocked," he said, at the masses of Chinese music students displaying real talent and fire about this essentially American art form. Hobbs said he found "massive conservatories full of all these brazen virtuosos" who are practicing the instruments with the biggest, boldest voices -- brassy saxophones, earth-quaking drums -- like their lives depend on it.
It stems from the rising Chinese standard of living, Hobbs surmised, and from the opening-up of a society that was officially closed to outside cultural influences for decades.
"I'm not sure why all of a sudden jazz is cool there," he said, "but it is urgent."
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New Promo Photos
GARY HOBBS: From Kenton to Goats
Gary Hobbs became a legend in his own time as the drummer who joined the Stan Kenton Orchestra right out of college, following such class acts as Gene Krupa and Shelley Manne.
At 59, with 38 years of gigging behind him, he is still the guy who drives big bands, undaunted by tempo changes or polyrhythms. But with smaller groups, Hobbs is also the guy on the cajon set, who coaxes organic Latin rhythms from wooden boxes and goat hooves.
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